This heartbreaking story is about as elephant Raju from India that had an incredibly rough life. After being poached from his mother he was thrown from one owner to another, until he was left living in terrible conditions with no shelter at night, being used as a beggars prop all day long. Raju survived only from passing tourists and sometimes had to eat plastic and paper while being chained 24 hours a day. A wildlife organisation SOS-UK could not stand the injustice and decided to save him in a daring midnight rescue operation.
The elephant, realizing he was being saved, started to cry: “It was incredibly emotional. We knew in our hearts he realised he was being freed” – claims Pooja Binepal, one of the rescuers in an interview with Presspeople. “Tears began to roll down Raju’s face. Some no doubt were due to the pain but he also seemed to sense that change was coming. He felt hope for the first time” – says another rescuer Kartick.
The photography of William Eggleston
A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted “Color Photographs” a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston’s Guide , in which Szarkowski called Eggleston’s photographs “perfect,” accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers.
Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. (x)